No sophomore slump for contemporary jazz-pop artist Michael J Thomas, who released his second album “Driven” on Aug. 18 on the Harbor Breeze Records imprint. The 10-song set burst out of the gate jolted by a wave of national airplay for the first single, “Baby Coffee,” earning Billboard most-added honors in its debut week followed by an add at SiriusXM’s Watercolors, leading the saxophonist-vocalist to sign a distribution deal for the project with Perry Music Group/Sony Music.

It’s been seven years since Thomas issued his instrumental debut album, “City Beat,” and six years since he made his vocal debut with the infectious standalone single “I Think About Amy,” which peaked at No. 16 on the Billboard chart after a remix by two-time Grammy winner Paul Brown.

“Driven” is Thomas’ first collection to combine sax-led soul-jazz instrumentals and R&B-pop vocal tunes that showcase a voice that programmers and reviewers have compared to Michael Jackson and George Michael. It’s a varied, exhilarating session written and produced by Thomas and longtime collaborator Shannon Wallace with additional tracks produced by Oli Silk, Trammell Starks and Music Man Dre Forbes.

"I got the bug to record a new album in 2014,” said the Destin-based Thomas, who is submitting “Driven” for Grammy nomination consideration. “I hadn’t written anything new in a while and all of these melodies and lyrics were hitting me. However, the songs didn’t all fit into one genre, but I recorded them anyway.

"I decided that this would be a passion project for me more than trying to write music that fits the traditional model,” added Thomas. “I titled the album after one of the pop-oriented songs I wrote that has to do with staying driven and motivated to compete.”

Underneath the invigorating instrumental veneer and the pure power pop panache that make “Driven” a bright, vibrant and an assured listen, there is a vulnerable artist who struggled to overcome an intense personal crisis to complete the record.

“‘Driven’ is very personal and represents a particularly sensitive and difficult period that I endured emotionally. I started writing it in the midst of a romantic relationship. Tragically, she passed away and I didn’t know if I could finish the album after dealing with depression in the aftermath. But I did and I continue to push forward. That’s what I want the takeaway to be from this album.”